Coverage of the 2020 LA Frieze Festival, a see-and-be-seen international art festival featuring more cash being tossed around than resides in the treasuries of many small nations, for Hyperallergic.

Accompanied the Open Source episode covering education within prisons in the age of mass incarceration.

The second in a three-part series for Hyperallergic, an art blogazine, in early 2020, featuring interviews with artists around the world on their art practices during Covid

An interview with Hong Kong-based artist Bo Zheng, 2020 artist-in-residence at the Martin Gropius Bau in Berlin, for Hyperallergic.

Drawn early after the 2016 election for the Radio Open Source newsletter.

An interview with Japanese artist Kanako Abe, who works in cut paper, for Hyperallergic.

For Susan's first editorial piece, published by the Toast in June, 2016.

http://the-toast.net/2016/06/21/dog-breeds-an-exhaustive-visual-guide/

For an episode of Radio Open Source on proposed regulations for Facebook’s operations.

Made for a Radio Open Source episode on gentrification

Scholar Kay Redfield Jamison speaking about her book Setting the River on Fire, about Robert Lowell and his struggle with mania and depression, for Radio Open Source.

For an episode of Radio Open Source around the release of Scorsese’s The Irishman, delving into the life and disappearance of Jimmy Hoffa.

Panel from a September, 2021, comic featured in Hyperallergic covering the annual Spring/Break Art Fair, which showcases the most exciting new work by emerging and established artists.

Composer Dmitri Shostakovich at rehearsal. Painted for an episode of Radio Open Source featuring conductor, Andris Nelsons, at the Boston Symphony Orchestra, who was doing a Shostakovich program.

The Radio Open Source episode on Bob Dylan in December, 2016, just prior to his Nobel Prize, and with an illustration by Susan, was a featured episode on iTunes Podcasts.